A rich, historically informed article. Excerpt:
Let me give just one example of political correctness run amok in campus women’s studies in the U.S. In 1991, a veteran instructor in English and women’s studies at the Schuylkill campus of Pennsylvania State University raised objections to the presence in her classroom of a print of Francisco Goya’s famous late-18th-century painting, Naked Maja. The traditional association of this work with the Duchess of Alba, played by Ava Gardner in a 1958 movie called The Naked Maja, has been questioned, but there is no doubt that the painting, now owned by the Prado in Madrid, is a landmark in the history of the nude in art and that it anticipated major 19th-century works like Manet’s Olympia.
The instructor brought her case to a committee called the University Women’s Commission, which supported her, and she was offered further assistance from a committee member, the campus Affirmative Action officer, who conveyed her belief that there were grounds for a complaint of sexual harassment, based on the “hostile workplace” clause in federal regulations. The university, responding to the complaint, offered to change the teacher’s classroom, which she refused. She also refused an offer to move the painting to a less visible place in the classroom or to cover it while she was teaching. No, she was insistent that images of nude women must never be displayed in a classroom — which would of course gut quite a bit of major Western art since ancient Greece.