As cinema and story-telling, The Case for Christ leaves something to be desired. But if ideas are your thing, then this movie may hold your attention as it held mine. It will help if you are at least open to the possibility that Christ rose from the dead.
The review in Christianity Today is worth reading, but the anti-intellectual tenor of the following bit stuck in my craw:
Alas, all that goes out the window when it comes time for the portions of the film that actually make the case for Christ. It is beyond the scope of a film review to evaluate the specific arguments and assumptions articulated by the people whom Strobel interviews, but regardless of their rhetorical and historical merits, the apologetics sequences make for bad cinema and bad storytelling. Periodically, the domestic melodrama and character development come to a screeching halt, superseded by enormous chunks of exposition that work better on a page than on a screen.
Gunn does his best to stage the interviews in an interesting way, but the results are nonetheless stilted, sometimes comically so. (A conversation with a medical professional, for example, is set in a laboratory with lots of doctors milling about, doing vaguely science-y things while ignoring the reporter who is distracting their boss with questions about the Crucifixion.) The audience is left with little to do other than twiddle their thumbs while they wait for the story to start rolling again.
Twiddle their thumbs? Are you serious? That part of the flick raised in a graphic way the issue of whether the Swoon Hypothesis holds any water, and to my mind, showed that it doesn't. To hell with story-telling. The best parts of the movie were the apologetics sequences.
But if you are looking for entertainment, or think that a man's relation with his wife is of more importance that the question of the Resurrection, then you should stay away from this movie.